5 20 666 https://www.history.okeq.org/files/original/8962e17a9843b20cc46b751f0c04cba6.pdf 11eedde5dcac0140952fec99d70b32c1 PDF Text Text 1/31/25, 12:46 PM Carrie Fleharty - Agnes Patricia Spurgin was born on January 6,... | Facebook Carrie Fleharty's Post Carrie Fleharty April 15, 2022 · Agnes Patricia Spurgin was born on January 6, 1941 at Morningside hospital in Tulsa, Oklahoma to Paul Eugene Spurgin, Sr., and Madeline Kime Spurgin. Some people knew her as Pat Spurgin, her Remember Password family called her Tish, and some of her closest friends knew her as Trish. Next time you log in on this browser, just click your profile picture instead of typing a Trish passed away peacefully in the afternoon at her home. She was surrounded by her devoted password. partner, neighbors, John and Dusty, and her closest friend, Christiane on June 27, 2021. She had been diagnosed with a bacterial illness, Trish’s body was OKlung infection, and COPD. Weakened by a lengthy Not Now not able to overcome these two diseases. Trish graduated from Central High School in 1959. She briefly attended Western College for Women in Oxford, Ohio which is now part of Miami University. She then took classes at the University of Tulsa What's onCollege your mind, Amanda? and Tulsa Community studying accounting and Human Resources. She was an all-around bookkeeper for various businesses in and around Tulsa. Her favorite place to work was for her stepfather at Logan Concessions. She loved the smell of fresh Live video Photo/video Feeling/activity roasted peanuts and fresh-popped popcorn. She enjoyed gardening, bird watching, and being outdoors. As a youngster, she spent many summers at the Spurgin ranch in Osage county. She would tell stories of helping the mother pigs with their babies. She helped with the cattle drives, and getting the cattle vaccinated. She spoke very fondly of her time on the Spurgin Ranch. She always wanted to be a rancher. She had a deep respect and love for Nature. Trish really loved her dogs and cats. They were her children. Trish was preceded in death by her parents Paul Eugene Spurgin Sr., Madeline Kime Spurgin Logan, and her brother Paul Eugene Spurgin Jr. She is survived by her beloved and cherished partner of 20 years, Carrie Fleharty. A memorial will be held on April 30, 2022, at 2 pm at Bluff Landing east of Broken Arrow at the shelter. YouCreate will need story to bring a chair. This was one of the spots that she went to visit often. In lieu of flowers, you may send a memorial to Tulsa Equality Center or the Tulsa Garden Center. 87 Facebook 37 comments 1h · Like If you could magically become fluent in a Most relevant 25K Jeannie Lenae Broughton-Munoz Like 2y Comment Send new language Share overnight, which would you pick? 18.6K comments 652 shares Send Share Like Anne Alwill-Hall Hugs https://www.facebook.com/carrie.fleharty/posts/pfbid02z6yKUpnaFg6khPatJLoBXPo2jXx1qtWfDuv1v6wzFYBBctvEPmWJRHNjPi2gDsv7l?rdid=GNjYc… 1/1 � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Series] Oklahoma LGBT+ History > In Memoriam Description An account of the resource <strong>Physical Media:</strong> <br /><br /><br /><strong>Digital Media:</strong> Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Text Any textual data included in the document <div class="xdj266r x11i5rnm xat24cr x1mh8g0r x1vvkbs x126k92a"> <div> <div class="xu06os2 x1ok221b"> <div class="html-div xdj266r x11i5rnm xat24cr x1mh8g0r xexx8yu x4uap5 x18d9i69 xkhd6sd"></div> </div> <div class="xu06os2 x1ok221b"> <div class="html-div xdj266r x11i5rnm xat24cr x1mh8g0r xexx8yu x4uap5 x18d9i69 xkhd6sd x1q0g3np"><strong>Carrie Fleharty</strong><br />April 15, 2022<br /><br />Agnes Patricia Spurgin was born on January 6, 1941 at Morningside hospital in Tulsa, Oklahoma to Paul Eugene Spurgin, Sr., and Madeline Kime Spurgin. Some people knew her as Pat Spurgin, her family called her Tish, and some of her closest friends knew her as Trish.</div> </div> </div> </div> <div class="x11i5rnm xat24cr x1mh8g0r x1vvkbs xtlvy1s x126k92a"> <div>Trish passed away peacefully in the afternoon at her home. She was surrounded by her devoted partner, neighbors, John and Dusty, and her closest friend, Christiane on June 27, 2021. She had been diagnosed with a bacterial lung infection, and COPD. Weakened by a lengthy illness, Trish’s body was not able to overcome these two diseases.</div> </div> <div class="x11i5rnm xat24cr x1mh8g0r x1vvkbs xtlvy1s x126k92a"> <div>Trish graduated from Central High School in 1959. She briefly attended Western College for Women in Oxford, Ohio which is now part of Miami University. She then took classes at the University of Tulsa and Tulsa Community College studying accounting and Human Resources. She was an all-around bookkeeper for various businesses in and around Tulsa.</div> </div> <div class="x11i5rnm xat24cr x1mh8g0r x1vvkbs xtlvy1s x126k92a"> <div>Her favorite place to work was for her stepfather at Logan Concessions. She loved the smell of fresh roasted peanuts and fresh-popped popcorn. She enjoyed gardening, bird watching, and being outdoors. As a youngster, she spent many summers at the Spurgin ranch in Osage county. She would tell stories of helping the mother pigs with their babies. She helped with the cattle drives, and getting the cattle vaccinated. She spoke very fondly of her time on the Spurgin Ranch. She always wanted to be a rancher. She had a deep respect and love for Nature. Trish really loved her dogs and cats. They were her children.</div> </div> <div class="x11i5rnm xat24cr x1mh8g0r x1vvkbs xtlvy1s x126k92a"> <div>Trish was preceded in death by her parents Paul Eugene Spurgin Sr., Madeline Kime Spurgin Logan, and her brother Paul Eugene Spurgin Jr. She is survived by her beloved and cherished partner of 20 years, Carrie Fleharty.</div> </div> <div class="x11i5rnm xat24cr x1mh8g0r x1vvkbs xtlvy1s x126k92a"> <div>A memorial will be held on April 30, 2022, at 2 pm at Bluff Landing east of Broken Arrow at the shelter. You will need to bring a chair. This was one of the spots that she went to visit often. In lieu of flowers, you may send a memorial to Tulsa Equality Center or the Tulsa Garden Center.</div> </div> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [2022] Agnes Spurgin Obituary Subject The topic of the resource Agnes Patricia Spurgin Obituary Facebook Post Description An account of the resource One page of a Facebook post of an obituary for Agnes Patricia "Trish" Spurgin, by Carrie Fleharty, Trish's partner, on April 15, 2022. Trish lived from January 6, 1941, to June 27, 2021. Creator An entity primarily responsible for making the resource Carrie Fleharty Source A related resource from which the described resource is derived https://www.facebook.com/share/p/19u8QukcYy/ Date A point or period of time associated with an event in the lifecycle of the resource April 15, 2022 2021 2022 Agnes Patricia "Trish" Spurgin Agnes Patricia Spurgin Agnes Patricia Trish Spurgin Carrie Fleharty Dennis R. Neill Equality Center Equality Center Facebook in memoriam memoriam Obituaries Obituary OkEq OkEq Equality Center Oklahomans for Equality Oklahomans for Equality (OKEQ) Patricia "Trish" Spurgin Patricia Spurgin Patricia Trish Spurgin Trish Spurgin Tulsa Garden Center https://www.history.okeq.org/files/original/2ba0854d31555f052589ee6f8f30d589.pdf c075226804ee57c66ba45d915a484f5e PDF Text Text OKLAHOMANS FOR EQUALITY OkEq History Project – Oral History Series Interview of Bill Francisco conducted by Toby Jenkins on September 13, 2011 Bill Francisco – Born September 5th, 1933, Passed December 25, 2024 Jenkins I'm Toby Jenkins, Executive Director of Oklahomans for Equality, and here we are at the Dennis R. Neill Equality Center on September 13, 2011, for our Vintage Series, where we capture the stories of those who lived our history and made history. They came out, and we don't want them to have to go back in and keep their stories silent. So today we've got Bill Francisco, who will be my guest of honor, and we're going to find out about what Tulsa was like in the period of life that he lived here, and he lived in some other places and witnessed some very significant events associated with our community and the struggle for equality. Welcome, Bill. Are you excited to be here? Francisco Oh, absolutely. I understand that you just celebrated a birthday. Yes, I did. Do you really want to know? Yes. I'm 80 years old, September the 5th. September the 5th. Well, happy birthday, Bill. We welcome you today, and you've lived now seven decades on planet Earth. That's right. Any regrets? A few, but we forgot about those. Oh, you forgot about those? 1 �Yes, absolutely. I want to start a little bit today and talk about your early childhood and a little bit about what Tulsa was like in those days, and then we'll move through to some of the most recent things in your life where you've been honored by your own community, and we'll talk. I want to know some dirt on some people, so I'll be asking you some of those questions, and then I want to hear some secrets that maybe nobody else, because inquiring minds, want to know . Uh-oh. I'm in trouble already, aren't I? You were born what year? 1931. 1931, so that would have been in the middle of the Depression. That's right. I was a Depression baby. And you were born in Oklahoma? I was born in Oklahoma on a dirt farm right outside of Catoosa. Okay, born at home? Born at home. All right. Tell us a little bit about your parents. My parents were Portuguese. Portuguese, so that's what Francisco is? Francisco is the last name in the Portuguese. Francisco is a first name in Italian, but in Portuguese, it is the last name. The last name. Yeah, right. And so they were farmers. They were dirt farmers. Dirt farmers. Yes. And now did they raise their produce, and then they bring it to town and sell it? Is that kind of what they did, like drug farmers? Kind of like that. Yes. Now, where did you go to school? 2 �I went to, I guess, five grade schools. Okay. Here in Tulsa. In Tulsa. Yeah, yeah. Eventually, they moved into Tulsa into an apartment. Okay. And we went from apartment to apartment all until I was the sixth grade. Sixth grade. So I've been to practically every elementary school in Tulsa, Oklahoma. Now, what elementary schools did you attend that the buildings would still be standing? Several of those have probably been. Yes. Lincoln School, which is now Lincoln Plaza on there on 15th. In Cherry Street area? 15th and Cherry Street. It's Jason's Deli. I danced in Jason's Deli. And it was an elementary school. And it was an elementary school. All right. My first one was at Roosevelt. No, not Roosevelt. Longfellow. Okay. Longfellow. So it's now demolished. And there's the Native American Health Clinic there in Sixth and Peoria. Sixth and Peoria . That's where Longfellow Junior High School was. All right. So you attended elementary there. Yeah. Did you have some interest? Did you play sports or were you interested in music or dance? I didn't know what I was interested in. But I did become interested in the theater In the theater. 3 �Yes. And what was your first exposure to that? My first exposure was I was elected to play the part of the little boy, the pioneer woman, the little boy from Ponca City, Oklahoma. They was having some statue things for a benefit for the school. Right. And I was about this tall. And they said, oh, you'd be great as the little boy and the pioneer woman. You know? So I was all done up like a little pioneer boy. But it was all statues. And I had to stand still for three minutes without moving. And how old were you? Seven years old. Seven years old. Okay. Can you imagine a seven-year-old kid standing still for that long? What I did was I wanted to do such a good job that I held my breath for three minutes. It's a wonder you didn't pass out. And I almost passed out. You're right. I almost passed out. But I did it. And they thought it was great. They thought it was great. But I got interested then in the theater. In the theater. Because I love applause. Well, I think we all do. You like being the center of attention. It wasn't that. It was just the appreciation of the people who acknowledged it. Hey, he's okay. Now, did you ever do any dancing in those days? Oh, no. No. No. I didn't start dancing until I was in high school. 4 �Okay. I was a musician before that. What instrument did you play? Well, it's a bastard instrument now, but it was the accordion. Okay. And I think we have a picture of you. You're awful dressed up here. Oh, yeah. Now, there you are playing the accordion. Wow. Very distinguished. Looked like you should have been on the Ed Sullivan show. Well, this was taken in Chicago. At Lawrence Welk. That's right. But they were better than I was. But this was a competition at the Palmer House in Chicago, I think it was. The Palmer Hotel, I guess it was. And we went up there, a group of accordionists or accordion players, or whatever they're calling them, and went up there and competed in the national accordion. Now, where did you go to high school? I went to high school at Will Rogers. Will Rogers High School. And I think I have a picture of you. Looks like you might have your letter sweater on. Oh, yeah. I don't even remember this picture. Okay. Somebody sent this to me, and I said, are you sure that's me? Yep, that's you. No, I was a cheerleader. You were a cheerleader for Will Rogers High School? I was a cheerleader for Will Rogers High School. In those days, Will Rogers High School, is it in the present building? Oh, absolutely. Now, that was probably in the days when it was a brand new building, and it was the top design. I was in the 10th graduating class. 10th graduating 5 �class. And they called it Will on the Hill, because it was way out in the country, on the hill out there. All right. They called it Will on the Hill. Now, did you have any part-time jobs while you were in school? Like maybe work for a newspaper or anything? Well, my parents did not appreciate me going into the theater. Okay. So I left home very early. Very early? Very early. Had to support yourself? Had to support myself from whatever. I delivered the Tulsa World in the mornings so that I could go to school, and I delivered the Tulsa World out in the White City District. Okay. About 11th and Yale area? From 3rd to 11th Street, east of Yale. Yeah, the White City neighborhood. White City neighborhood. Yeah, it's not called that anymore. It's called Brayton Park now. Oh, is it really? At those days, it was called White City. Well, it really didn't mean White City. Right. It didn't mean it was named after something else. Yes, it was not. But anyway. Now, did you walk and deliver the newspaper or ride a bicycle? I did a bicycle and I did horseback. All right. Yale Avenue was a two-lane highway back then, and they had drainage ditches on each side of the highway. 6 �You're shaking your head. Do you know that? No. And they had these little wooden bridges to go through to the side streets, you know? And it was way out in the country. So I could ride my horse out there, you know? But the people of White City, there was a brand new, elegant addition. And I would ride my horse through their lawns to put the paper on their porch for them, you know? And when it would rain, I'd go through their lawn and put the paper on their porch, and they complained because I was digging up their lawn. Your horse was digging up their yard. Absolutely. So didn't you get fired from the Tulsa World because of that? No, they told me to stop riding the horse. So you went to Will Rogers High School. Yes. And you got interested in the theater. I got really interested in the theater. And when did you become interested in dancing? Because I understand that you had some interest in that. Yes. Actually, I was a little older. I was probably about 18 or 19 when I started to dance. Okay. I have your graduation picture right here. Graduation picture from Will Rogers High School. That doesn't look like me. You were very handsome. Yeah. That's a good picture, though. So when you were 19, you got interested in? In dancing. 7 �In dancing. Now, I know you rode horses, but what exactly is this picture? It looks like a mule to me. It's a toro. A toro. Okay. So it's a bull. It's a bull. All right. And I'm the back end of the bull. All right. And this is a theater group? This is the Tulsa Opera. And you were in a Tulsa Opera production. I was in a Tulsa Opera. Tulsa Opera first started out with operettas. You know, they weren't big enough yet. And all their first productions were all operettas. Okay. That was from Rio Rita. Okay. This is from the Desert Song with the Tulsa Opera. Then later on, they became legitimate and started to do the real opera. Okay. If this is an opera, did you dance or did you sing? We danced. Oh, yes. We danced. Okay. And I notice you are bare-chested, so they like to show off your bare chest. Well, I don't know. And this would have been in what year? Oh, gosh. Sometime in the 40s or 50s? 8 �Oh, it's got to be in the 50s. 50s? Okay. Yeah. I graduated in 49. It's got to be in the 50s. So about how? You were about 20, 22? Yeah. I was about 20, 22. Okay. And so you were involved with the Tulsa Opera and the Tulsa Ballet. At first. At first. At the Tulsa Opera was first. Then I got a scholarship to go to Los Angeles. And I went to Los Angeles and studied with Ruth St. Dennis Studio, which was a – people don't know her now, but she was one of – I guess – I don't know. I guess she was very famous as a spiritual modern dancer. And I got a scholarship to go – she was 82 years old when I went out there. Wow. Okay. Now, she didn't teach me much movement in dance, but the philosophy behind this woman just changed my whole life. She was really a remarkable woman. So you were out in Los Angeles. I was out in Los Angeles. Near Hollywood. Near Hollywood. And I studied. And I took lessons from Eugene Loring at the Hollywood School of Ballet. And I auditioned for a movie. This is when the musicals were all fabulous musicals, you know. What was it? The 50s, 60s, 50s? And I auditioned for a musical with Gwynne Verdon and Danny Kaye. And it was on the Riviera. But there was 500 dancers auditioned. I got to the final audition, and then I got a notice from Uncle Sam, come back to Tulsa, I was drafted. That brings us to this. That brings us to this. So there you are. Yes, I am. 9 �What branch of the military were you in? I was in the artillery. Army? Army. The Army artillery. That's where I started. That's where they drafted me, you know. Now, boot camp, where was boot camp at? Camp Chaffee, Arkansas. Oh, that's hot down there, wasn't it? Yeah, it was hot. Yeah, it was really hot. Really hot. It was very hot. So you went to Fort Chaffee for? Went to Fort Chaffee for my boot camp. For my boot camp. And then where were your assignments? My assignment was in Germany. I was very fortunate. It was right after the Korean War. It was in the middle of it before Vietnam, in between. And so I didn't have to go to Vietnam or Korea. They sent me to Europe, and I worked with the special services over there in Europe. So I had a good job, you know. I really didn't mind that much. I never carried a gun in my life, but it was pretty nice. Now, I see here that this is a Tulsa World newspaper, and it says GI Dancer, formerly with the Tulsa Opera, wins coveted medal in German Festival. So there's a picture of you bare-chested. They seem to like to show off your chest in those days. And you're bare-chested, and you're in front of a bunch of children. Tell us exactly what you were doing there. And apparently the Tulsa World was pretty proud. Tulsa was apparently pretty proud that... This article was originally done by the German newspaper. And it was all in German. And I couldn't understand a word of it. So I sent it home to my mother and said, could you get this, what do you call it? Translated. Translated, yeah. Get it translated. So she took it to the Tulsa World, and they just said, wow, this is wonderful. And they translated it and put it in the paper. Oh, am I moving? See, I get all... 10 �So you were there in Germany working with these school children. Now, what were you doing exactly? I was teaching them a lot of American dance in Augsburg, Germany. Okay. I was also helping to rehabilitate children from World War II. Okay. So you were part of the restoration. Part of the restoration of World War II. And I was teaching the children, and they honored me with this great honor from the city of Augsburg. Now, here's a picture. I don't know if our cameras can catch that, but it looks like you're dancing with someone with a crown on her head. Yes. That's the Princess of Augsburg. Okay. That I was dancing. And you got an opportunity to dance. Was she a good dancer? No. No, okay. But you made her look good, didn't you? Oh, yes. We just really, really appreciate it. And here you are with some of your military buddies. Yes, this is all my military buddies. Now, that was all there in Germany, correct? Yes, that's all in Germany. All right, so you did that in the military. And when did you get out of the military? 54. 11 �54? Did you come back to Tulsa? Oh, yes. Now, had Tulsa changed much because of the war? I understand there was a lot of building and GI homes were being thrown up. The GI homes were being thrown up. Brookside really became very, very, very big after World War II. With brand new homes and grocery stores and things. Little wooden houses, you know, all along Brookside. What did they call them? The little Cape Cod houses? All was done in Brookside. Now, Tulsa had big movie theaters in those days. And I understand you used to work at some of the big movie palaces. Yes. I was an usher. Of course, I still had to work my way through. Through living, you know, I was an usher at the Orpheum Theater. One of the most ornate, burlesque houses in the Midwest. It was absolutely elegant. Of course, they tore it down and built up a glass building there instead of it. Where was the? About a third in Cheyenne area. Second or third? It was a little bit past that. But anyway, it was a beautiful ornate theater. It was absolutely gorgeous. And I'd like to know where the Oklahoma Historic Society was at that time. Or the Preservationists. Preservationists, allow them to tear that theater down. It was just gorgeous. Now, were you there at that movie theater working there when they had the world premiere of Tulsa? Yes, I was. Yes, I was. And so you met? Yes, I was. What was her name though? Rita Hayworth. 12 �Rita Hayworth, yes. I ushered her down into the theater. They had a big parade down Main Street for the opening of the movie Tulsa. Okay. Big, big deal. Big deal in Tulsa. Thousands of people down there. And they had the premiere in the Orpheum Theater. And I was privileged to usher her down to the front row. Was she beautiful and gracious? Yeah, well. No, not really. She was kind of snooty. She was famous at the time. When they get famous and do things like that, you know these movie stars. Now I see in this picture, was this on a beach here in Tulsa? No. No? That's on Jones Beach in New York. Does anybody know where Jones Beach is? So you ended up in New York. Now how did you end up in New York? Okay. Did dancing take you there? No, no. I joined American Airlines in 1955, I guess it was. And I also worked with the Tulsa Ballet. Tulsa Civic Ballet at that time with Marceline Larkin. And with the Tulsa Opera, who became a legitimate opera house. I did Faust and I did, what was the other one I did? Faust and another opera with them. And that's where I stopped singing. There was this diva from New York, you know, they used to hire all the people to come in to sing the top roles. Well, oh, Aida, it was Aida. Okay. It was painted all in gold and everything. And at that time, they allowed all of the chorus and the dancers, they all had ballet in the operas, a quart of ballet in the operas. Well, they always allowed them to come in and sing at the finale. So they'd have a big crowd there. Well, I came in and I was right behind this metropolitan opera star in the back, just singing like mad. I thought I was doing great. She turned around to me and said, mouth it, buddy. I thought, oh, my God. I was throwing her off key. I have never sung in notes since. All right. 13 �I do some lip syncing now, but I've never done it. All right. So how did you end up in New York? You worked for American Airlines? I worked for American Airlines. They moved the accounting office from 910 South Boston to New York City. When they bought their first computer, IBM would not install a computer except in New York City, because nobody knew how they wanted them, you know. So they moved the entire part of American Airlines up to New York City. That's how I got to New York City. All right. And what did you do in New York City besides work? I understand you studied a little bit. I studied music. Yes, yes. I studied dancing, really. I was at the International School of Dance at Carnegie Hall. I did that of an evening after work, you know. So I didn't have much time to play because I was studying all the time I was there. And that's where I fell in love with clogging. They had a semester there of American folk dancing with square dancing and clogging and all. And I took a semester of clogging up in New York and I said, this is fantastic. I love this. I don't want to do ballet anymore. I don't want to clog because there's so much fun. And, you know, kids from three years old up to 80 years old can clog, you know. It's just wonderful. So I did that. And when I came back to Tulsa, I thought, this is really strange. I grew up in Oklahoma where clogging was all over the world and I didn't even think about it. I had to go to New York City to find out, hey, I love to clog. And I had it all around me all the time I was there. Now you're rushing ahead because I want to ask about some secret things. You were in New York. Did you ever, I understand in those days, lots of Oklahomans fled Oklahoma and they moved to New York for the gay culture, for the gay life subculture that was there in New York. There were clubs and bars, entertainment venues. Did you ever go out and have a drink at some of the nightclubs? Oh, yes, I did. And you met, did you meet anybody special there? I met my one and only partner. I've never had one since. And I was, what, 20, 24, 25. You fell madly in love. 14 �And I fell madly in love. His name was Nick. That was there in New York. And it was in New York City. Now in June... We used to go out dancing on Sunday brunch. They had big dances, tea dances they called them at the time. Sunday brunches, we would go out to the club, to one of our favorite clubs there in New York. And we would dance Sundays from 11 o'clock until 6 at night. He was the disco. He couldn't dance anything else. But he was a great disco dancer. And I had a great time. I really did. Now, and you were there in New York when the Stonewall riots happened. Yes. You were just around the corner, understand? What were you doing that night? Nick and I had gone down to the village to a little restaurant. They had these restaurants which was underneath the brownstones, you know, where they went down underneath it. Below street level. Below street level. They had these little restaurants there. And we went to our favorite restaurant. And we heard all this commotion going on outside, you know. And everybody in the restaurant got up, went out on the street. And we was a block away. We was a block away from Stonewall. But we saw everything that was going on down there. And... It was very frightening. Yes. But that started the gay movement. Now, did you have any friends who were injured or knew any of the people that were arrested? No, I really didn't. I really didn't. I really didn't. After it was almost... We stood out there for, oh, I guess about an hour. And we didn't even know what it was all about at the time, you know. And we walked down to the subway after dinner. And we went home. And the next morning on the paper, the Village Voice, we saw what it was all about. I wasn't in it, but I really, I really saw it. And you said there was quite a pushback from New York over it. And then there was a march a few days later. Yeah. Where they told everybody to come out and march in the streets. Yes, yes. 15 �And did you march in the streets with them in that parade? We had to work. And people were afraid still, weren't they afraid of being out? They were afraid. You had to have somebody with you. Okay. But the police was very cautious at the time. And that was the very first Gay Pride March? The very first Gay Pride March is in Greenwich Village in New York. 1969. 1969 it was. Yeah, and that started the whole gay movement. Look where we've come from. So whenever you, probably when we come around Pride time and you think about our parades, lots of young people today don't even realize we're commemorating an act of war. When they were waging war on us in 1969. And it was the retaliation. We stood up for ourselves. And we're commemorating when we stood up and said you're not going to do this to us anymore. Yep, that's right. So whenever we have Pride parades, do you ever allow your mind to think about that, that maybe some of our young people don't understand what it's really about? Oh, all the time. All the time. The young people today have so much freedom. When I grew up, there was no freedom in the gay community. No, there wasn't even a community. But the kids today have so much freedom to do whatever they want to do, whatever they want to do. And I just keep thinking, God, if I'd have had that when I was young, they have bars they can go to now. There wasn't a gay bar in Tulsa when I grew up here. I wouldn't even think about it. Except the Bamboo Lounge was the first gay bar in Tulsa. So you came back to Tulsa in the early 1970s? Yes, yes. I came back in, I guess about 75, I guess it was. And you had discovered clogging. I had discovered clogging. 16 �And you came back. In fact, did you hunt down the gay community when you got back to Tulsa? Oh, yes. Oh, yes. I found freedom at last. You came back and told them about New York, right? Yes, yes. Now, what bars were there in that day in the 1970s? In Tulsa? Well, I can't remember all of them because I didn't go to all of them. My favorite was Tim's Playroom. Tim's Playroom. Oh, good. You could go in there and you could dance disco from nine o'clock at night until two o'clock in the morning without even stopping. And I used to go in there and just dance all night long, all night long. One of the greatest DJs that ever lived was in that bar. Now, you were talking about what young people have today. Yes. Whenever you think about the equality center and it being downtown, what do you think about that in Oklahomans for Equality? Oh, what you have done for equality is really great. I started out, well, coming from New York back down here and seeing all of the things going on, I helped start TOHR. Oklahomans for Human Rights is what it was called. Yes, Tulsa Oklahomans for Human Rights. That's what it was. There was about five or six very prominent people in Tulsa, and then there was me, the little guy that didn't have any money or anything. But I went in with them and I said, come on, let's do it. You knew Dennis Neill on that day? Oh, yes. Oh, yes, I knew Dennis Neill. I'll tell you something about Dennis Neill. He used to live right around the corner from me on 31st and Woodard Boulevard. This was a long time ago. And after work, he would jog, I guess it was called jogging then, he would jog after work down 31st Street down to River Park and back to home. I'd be out working in the yard. He'd always wave at me, you know, as he goes by. Hi, Bill. Hi, Dennis. And great guy. And I saw his first turnabout performance. Oh, he's done drag? I don't think any of us knew that. 17 �There was a big benefit out at this restaurant on 71st Street. It's no longer out there, no longer a restaurant. But they had a big turnabout benefit out there. And Dennis Neill was in drag. So you all formed this organization 31 years ago. Yeah. And so it's an entirely different world, isn't it, than it was 31 years ago? Oh, absolutely, absolutely, absolutely. Now, when did you start clogging with, put together your clogging group? My first clogging group was 1986. I formed it because of the Oklahoma OGRA, which is the Oklahoma Gay Rodeo Association. We didn't have one in Tulsa. So I formed a group called the Green Country Cloggers. The Green Country Cloggers. And it was a great group. It was a wonderful group. And we performed all over the Midwest. We went from all the gay rodeos, from Denver, Phoenix, California, Kansas, Oklahoma. They didn't have one in Arkansas at the time. But I mean, every one of them. Texas, Texas was the big one. The big gay rodeo in Texas. And we became pretty famous, didn't we? Yes. Now, that was 1986. That was 1986. That would have been right in the middle of the epidemic. So we were having people, AIDS was in full swing and people were dying. And there were probably people here in Tulsa who had been infected. They were. They were. What are your thoughts about how the community reacted to that? I don't think they reacted. I really don't. They should have had more, but there was not enough information to say, Oh, hey, we're not affected by this. And out of my 12 cloggers, I lost seven. Out of your original things. So then we disbanded and I couldn't handle it anymore. And later on, when Tulsa got its own rodeo, SSRA rodeo, I started the SSRA clogging team, Sooner State Cloggers. Now here's a picture of your cloggers dressed up as the village people. That was the original Green Country cloggers. 18 �All right. And here you are. Are you the muscle guy or the police officer? I'm Felipe, the Indian. So you were the Indian. Well, that's a great picture. I love that. This guy right here, he runs the Eagle in Dallas, Texas. He owns the Eagle in Dallas, Texas. This guy here was one of the original owners of the toolbox. And this guy right here, beautiful man. Well, they're all very handsome. All very handsome. Yeah. Good group. Now you did clogging and somewhere in there, somebody decided that you looked a little bit like Santa Claus. And you started doing... Yes. I was doing, I was teaching clogging out in Glenpool at the Glenpool Community Center, which Glenpool was nothing then, I don't think. But we did a couple of shows out at Black Gold Days. I guess it was. Every year they had the Black Gold Days out at Glenpool. And I was working with the kids out there. And one of the organizers said, Bill, would you play Santa Claus for us? And I said, well, sure. I never get a chance to entertain, you know. I'm such a ham anyway. But I said, sure, I will. So they gave me this old Santa Claus, a moth-eaten Santa Claus suit and a phony beard. And I went out there and I clogged for their Christmas show. Well, the kids just went crazy. They thought it was the funniest thing to see Santa Claus clogging. And I said, well, you know, I continue to do it from then on because I made the kids so happy with that. And that's how it all started. We're looking at a magazine article from 1998 in The Oklahoman. And it's a feature article on you, The Dancing Santa. And it tells about his opera days and what he did in the restoration of Europe and his work with German children. But it also talks about how he just lights up the day and makes these kids' parties so exciting with Santa who dances. Well, you've had quite a remarkable life. I'm looking right here. You've been given seven awards. This is a lifetime achievement award that you received last year. Clogger Bill, with huge thanks from the Tulsa gay community, 2009. You are our hero. That was in 2009. And you've continued to do a lot of benefit work for lots of different nonprofits. And lots of organizations that serve people living with HIV AIDS. 19 �Absolutely. The other night... I'm a server. You are. I try to do everything to serve. I don't want anything for myself. Well, almost. You won't turn it down, is what you're saying. That's where we go. You know, the other night... I'm very humble. I just don't want anything, except I do love applause. Well, I think we all like attention. The other night, the Tulsa Eagle threw a birthday party for you, celebrating your 80th birthday. Unbelievable. And the place was packed. And such good fun. I want you to know, I was looking forward to that and I was excited being able to attend. And then I want our audience to know that a few days before that, you called me and you said, Toby, I want to do something to remember the gay, lesbian, bisexual, and transgender people who died on 9-11. Nobody's ever thought about them. So you wanted to inflate helium balloons in pastel colors. We spent all afternoon blowing up the balloons. And you said, Toby, I want us to launch the balloons a little after seven. So that was what I was so touched by because I'd been watching on 9-11 Sunday. I'd been watching all the coverage of the dedication of the 9-11 memorial and how that affected Oklahomans. And then I attended the event at the BOK Center that OCCJ sponsored. And then to be able to go to your party where our community gathered and we wanted to make sure that our people had not been forgotten, been recognized. And we set those balloons off at 7-15. We read the names of all of the hundreds of gay people who died on 9-11. And we set those balloons off. And it was the strangest thing, there was a set of jets doing a maneuver up in the sky. And right when we set those balloons off, the balloons took off and those jets crossed right in the middle of the sky. And there was this huge cross in the sky as we set those balloons off. Now, Bill, I checked. To my knowledge, there was not another memorial tribute to the gay victims of 9-11 than the one in Tulsa, Oklahoma that Bill Francisco wanted to do. It was his day, but you still wanted to think of others. Now, because of that, that night they surprised you. And I think probably this sums up your life. It takes a moment to change history. It takes love to change lives. The Imperial Court of all Oklahoma hereby proclaims the Youth Scholarship to be forever named in the honor of Clogger Bill Francisco Youth Scholarship Fund, September 11, 2011. That night they surprised you by naming a youth scholarship in your honor. How do you feel about that? Oh, my God. First, I wish they wouldn't do it until after the show. Because I was so emotional, I couldn't hardly dance. It's a big honor 20 �. It's a very big honor. Now, what do you think when young people, young gay and lesbian people who are applying for scholarships to be able to go to college and further their education, when they hear about this scholarship opportunity and they read the story about who it's named after, what do you want to be able to tell them? I want them to follow their dreams. Go for it. Well, thank you very much. You've been with us today while we've interviewed here on Vintage, Bill Francisco, who I think followed his dreams and he did go for it. And our city is richer because of his contribution. Thank you so much for joining us today. Applause How was that? 21 � https://www.history.okeq.org/files/original/cae0cab67dbba006859779f324fcbc61.mp4 e71dbd9d5040432cf3641c9dd2b8169e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Series] Oral Histories Project > Interviews Description An account of the resource <strong>Physical Media:</strong> <br />Box 7, Folder 7 - Dr. Leisa Meyer Program<br />Box 7, Folder 8 - Interviewees Materials, Original Series 2003-2007<br /><br /><strong>Digital Media:</strong> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [2011] Bill Francisco Interview Description An account of the resource Video recording and transcription of Toby Jenkin’s September 13th, 2011 Vintage Series Interview. Bill was born on September 5th, 1931, on a dirt farm outside of Catoosa, Oklahoma. He passed on December 25, 2024, in Tulsa. He made his first stage appearance in a school play in Tuls at the age of 7. At that moment, he was attracted to the theatre and applause. From being a high school cheerleader to playing the accordion to forming Green Country Cloggers, Bill was a ham. He served in the Army, spent time in Los Angeles learning dance and ballet and lived and worked in New York City before returning to Tulsa. He witnessed the first Gay Pride Parade in New York City in 1969 following the Stonewall Riot. He was locally famous as the “Dancing Santa,” exciting children throughout the Tulsa area. Creator An entity primarily responsible for making the resource Bill Francisco, Toby Jenkins, Dennis Neill Subject The topic of the resource Bill Francisco Vintage Series Interview Date A point or period of time associated with an event in the lifecycle of the resource September 13, 2011 Bill Francisco Green Country Clogger Green Country Cloggers interview OKEQ Oral History Project oral history Oral History Project Toby Jenkins video Vintage Vintage Series https://www.history.okeq.org/files/original/e915ff569d0f81f04e06d10cabcafed6.pdf 405ea1456b6f8f2ff9f05cb6926582e1 PDF Text Text ���� Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [2015] OKEQ Audit from Briscoe, Burke, and Grigsby Subject The topic of the resource 2015 Oklahomans for Equality Independent Audit Statement from Briscoe, Burke, and Grigsby LLP Description An account of the resource 4 pages of audited financial statements from public accountants Briscoe, Burke, and Grigsby LLP, including an annual trial balance from a period ending on August 30, 2014. Independent audit sent September 1, 2015. Creator An entity primarily responsible for making the resource Briscoe, Burke, and Grigsby LLP Date A point or period of time associated with an event in the lifecycle of the resource September 1, 2015 2015 annual balance audit Briscoe Burke & Grigsby Briscoe Burke & Grigsby LLP Briscoe Burke and Grigsby Briscoe Burke and Grigsby LLP OkEq OKEQ Board OKEQ Board of Directors OKEQ financials Oklahomans for Equality Oklahomans for Equality (OKEQ) Oklahomans for Equality Board https://www.history.okeq.org/files/original/c84f36f81a3101a7617a2a6b2e2e8138.pdf f4655daa4827ebba81040fb28947277f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [2024] Twisted Arts 2024 Annual Report Subject The topic of the resource Twisted Arts 2024 Annual Report Description An account of the resource 10 pages of an annual report of Twisted Arts' accomplishments over 2024, including an OKEQ fundraiser and the Twisted Arts Film Festival.<br /><br />Transcript:<br /><br />2024 ANNUAL REPORT<br /><br />LETTER FROM THE FOUNDER<br />Reflecting on the past year at Twisted Arts, I am deeply grateful and proud. Twisted Arts began as a vision to create an inclusive and vibrant arts community in Tulsa, and this year, we saw that vision come to life in impactful ways. Through the dedication of our community, the support of our generous sponsors, and the hard work of the Board of Directors, we've built a space that celebrates the richness of 2SLGBTQ+ voices and brings people together through the power of art.<br />From the Pride Kick-off and Two-Spirit Fest to the Transgender Day of Visibility, our year-round initiatives have provided a platform for local artists, fostered essential conversations, and celebrated our community’s resilience. Twisted Arts is more than an arts organization; it’s an economic contributor, with four years of activities adding over $640,000 to Tulsa’s arts economy.<br />As we look to the future, your continued support ensures we can keep providing these vital experiences, honoring our commitment to inclusivity, creativity, and community empowerment. Together, we are building a legacy that will uplift artists and allies. Thank you for standing with us and being part of this journey.<br />With gratitude,<br />[Kevin Lovelace's signature]<br />Kevin Lovelace<br />Founder, Twisted Arts<br /><br />YEAR-END REVIEW<br />Accomplishments:<br />• Gayest Dog In Tulsa Fundraiser: Raised $750 for Pause4Paws.<br />• Fundraising for Oklahomans for Equality: Raised $1,300.<br />• Community Engagement: Hosted two screenings at The Starlite.<br />• Drag Me to the Movies: Hosted three sold-out screenings featuring nine local performers<br />• Trans Day Of Visibility: Featured eight local performers.<br />• Pride Kickoff: Welcomed over 400 attendees on the rooftop of Tulsa Artist Fellowship.<br />• 2-Spirit Festival: The Harmony Of Duality exhibition at Oklahomans for the Humanities drew over 725 attendees, showcasing nine 2-Spirit artists, making it the venue's third highest attended opening.<br />• Drag the Voter: An event focused on registering new voters for this election.<br />• Total 2024 attendance: Over 2,000 attendees to all of our events.<br />• Tulsa Visual Arts Economic Impact Calculator: $158,145<br /><br />TWISTED ARTS ANNUAL REPORT 2024<br /><br />Accomplishments<br /><br />OKEQ Fundraiser<br />February 21, 2024 - Screening of PUMP UP THE VOLUME to raise$1,300 [sic] for Oklahomans for Equality.<br /><br />Gayest Dog in Tulsa Fundraiser<br />June 22, 2024 - The inaugural Gayest Dog in Tulsa Pageant at Belefonte raised $750 for Pause4Paws animal foster shelter.<br /><br />Drag Me to the Movies<br />Our newest program, all sold-out shows, pairs parody performances with the films: But I’m a Cheerleader, Steel Magnolias, &amp; Death Becomes Her.<br /><br />TWISTED ARTS ANNUAL REPORT 2024<br /><br />Events<br /><br />Community Screenings at the Starlite<br />Free community screenings bringing underground films, typically unavailable in theaters, to enthusiastic audiences at the Starlite.<br /><br />Transgender Day of Visibility<br />This year’s Transgender Day of Visibility event at OKEQ featured eight talented local transgender artists, performers, and musicians.<br /><br />2-Spirit Fest<br />Our First Friday exhibition showcased nine 2-spirit visual artists on Friday, followed by 20+ performers, artists, and panelists on Saturday.<br /><br />TWISTED ARTS ANNUAL REPORT 2024<br /><br />More Events<br /><br />Pride Kickoff<br />We kicked off Pride with eight local performers, 15 vendors, and empanadas from Que Gusto on the rooftop of Tulsa Artist Fellowship<br /><br />Drag the Vote<br />New voters were registered at the Colony’s first-ever Drag the Vote event, encouraging civic engagement and community involvement.<br /><br />Twisted Arts Film Festival<br />The Twisted Arts Film Festival hosted over 350 attendees and featured two directors, engaging Q&amp;A panels, and a memorable closing night party with a special performance by Kalup Linzy.<br /><br />FINANCIAL STATEMENT<br /><br /><strong>2024 Financial Summary</strong><br />In 2024, Twisted Arts operated on a budget under $50,000, reflecting our commitment to maximizing impact with limited resources. Our total revenue was $49,135, composed of $4,000 in sponsorships, $40,000 in grants, $2,635 from ticket sales, and $2,500 from individual donations. Expenses totaled $47,109, with key allocations including $9,899 for artist fees, $8,772 for venue rental, and $3,909 for publicity and advertising. Despite modest funding, we successfully supported a variety of festival programs and events, including artist travel, lodging, and outreach activities, all within a lean budget.<br /><br /><strong>2024 Economic Impact</strong><br />2024 Twisted Arts programs generated substantial economic benefits for the Tulsa community. By using the Economic Impact Calculator and applying a multiplier of seven to the original figures, our festival’s total economic impact for the year is estimated at $158,145. This includes support for seven full-time equivalent jobs, $88,529 in resident household income, $11,571 in local government revenue, and $15,190 in state government revenue. These figures underscore Twisted Arts’ vital role in contributing both culturally and economically to the Tulsa area.<br /><br /><strong>FUTURE OUTLOOK</strong><br /><br />2025 GOALS<br />In celebration of our fifth anniversary, Twisted Arts is setting ambitious goals to expand both our programs and community impact, aiming for a total income of $110,000 in 2025 through increased sponsorships, grants, ticket sales, and donations. This funding will allow us to allocate $40,000 toward artist fees, supporting more local artists and elevating program quality. Additional resources will enhance outreach, publicity, staffing, and fundraising, sustaining growth and expanding our reach. With a total budget of $100,000, we are excited to mark this milestone year with innovative programming, deeper community engagement, and expanded opportunities for local talent.<br /><br />FIFTH ANNIVERSARY<br />BIRTHDAY BASH<br />Twisted Arts is excited to present Margaret Cho live at Cain's Ballroom on April 9, 2025, as part of our fifth-anniversary celebration and our first-ever fundraiser! This event aims to raise funds for Girls Rock!, a new youth-centered arts and social justice program empowering young people through music and creative expression. Margaret Cho’s "Live and LIVID" tour promises a night filled with humor and bold commentary, tackling issues like homophobia, sexism, and racism. As Cho celebrates 40 years in comedy, she invites audiences to “come through” for an unforgettable experience. This fundraiser will set the stage for Girls Rock! to provide invaluable resources, mentorship, and creative opportunities for Tulsa’s youth, helping to cultivate the next generation of artists and activists. We look forward to making this night one of impact, connection, and celebration.<br /><br /><strong>Thank You SPONSORS!</strong><br />We extend our heartfelt thanks to our generous sponsors for making the Twisted Arts fourth-anniversary celebration and our first-ever fundraiser a reality. Your support is instrumental in helping us continue our core programs, including the Twisted Arts Film Festival, 2-Spirit Fest, and community outreach events that bring LGBTQ2S+ arts and voices to the forefront. Thanks to your commitment, we are able to provide impactful programming, foster connections, and celebrate diverse stories that inspire and unite our community. Your partnership fuels our mission and encourages a future filled with creativity, inclusivity, and cultural enrichment. We are truly grateful for your belief in our vision and for standing with us as we grow and make a lasting impact.<br /><br />Presenting Sponsor<br />GEORGE KAISER FAMILY FOUNDATION<br /><em>A supporting organization of Tulsa Community Foundation</em><br /><br />Executive Producers<br />OKLAHOMA ARTS COUNCIL<br />VISION TULSA<br /><br />Producers<br />oklahomans for equality<br />Ralph and Frances McGill Foundation<br />The Anne &amp; Henry Zarrow FOUNDATION<br /><br />CONTACT US<br /><br />EXPRESS. REPRESENT. SASHAY.<br />TWISTED<br />OCTOBER 2-5, 2024<br /><br /><strong>TWISTED ARTS</strong><br /><br /><strong>Phone/</strong><br />(918) 221-5565<br /><br /><strong>Email/</strong><br />kevin@twistedfest.org<br /><br /><strong>Website/</strong><br />www.twistedarts.org<br /><br /><strong>Address/</strong><br />P.O. Box 14476<br />Tulsa, OK 74159 Creator An entity primarily responsible for making the resource Twisted Arts Date A point or period of time associated with an event in the lifecycle of the resource 2024 Contributor An entity responsible for making contributions to the resource Kevin Lovelace PDF Text Text 2024 ANNUAL REPORT �LETTER FROM THE FOUNDER KEVIN LOVELACE Reflecting on the past year at Twisted Arts, I am deeply grateful and proud. Twisted Arts began as a vision to create an inclusive and vibrant arts community in Tulsa, and this year, we saw that vision come to life in impactful ways. Through the dedication of our community, the support of our generous sponsors, and the hard work of the Board of Directors, we've built a space that celebrates the richness of 2SLGBTQ+ voices and brings people together through the power of art. From the Pride Kick-off and Two-Spirit Fest to the Transgender Day of Visibility, our year-round initiatives have provided a platform for local artists, fostered essential conversations, and celebrated our community’s resilience. Twisted Arts is more than an arts organization; it’s an economic contributor, with four years of activities adding over $640,000 to Tulsa’s arts economy. As we look to the future, your continued support ensures we can keep providing these vital experiences, honoring our commitment to inclusivity, creativity, and community empowerment. Together, we are building a legacy that will uplift artists and allies. Thank you for standing with us and being part of this journey. With gratitude, Kevin Lovelace Founder, Twisted Arts �YEAR-END REVIEW Accomplishments: • Gayest Dog In Tulsa Fundraiser: Raised $750 for Pause4Paws. • Fundraising for Oklahomans for Equality: Raised $1,300. • Community Engagement: Hosted two screenings at The Starlite. • Drag Me to the Movies: Hosted three sold-out screenings featuring nine local performers • Trans Day Of Visibility: Featured eight local performers. • Pride Kickoff: Welcomed over 400 attendees on the rooftop of Tulsa Artist Fellowship. • 2-Spirit Festival: The Harmony Of Duality exhibition at Oklahomans for the Humanities drew over 725 attendees, showcasing nine 2-Spirit artists, making it the venue's third highest attended opening. • Drag the Voter: An event focused on registering new voters for this election. • Total 2024 attendance: Over 2,000 attendees to all of our events. • Tulsa Visual Arts Economic Impact Calculator: $158,145 �Accomplishments ANNUAL REPORT 2024 OKEQ Fundraiser February 21, 2024 - Screening of PUMP UP THE VOLUME to raise$1,300 for Oklahomans for Equality. Gayest Dog in Tulsa Fundraiser June 22, 2024 - The inaugural Gayest Dog in Tulsa Pageant at Belefonte raised $750 for Pause4Paws animal foster shelter. TWISTED ARTS Drag Me to the Movies Our newest program, all sold-out shows, pairs parody performances with the films: But I’m a Cheerleader, Steel Magnolias, & Death Becomes Her. �Events ANNUAL REPORT 2024 Community Screenings at the Starlite Free community screenings bringing underground films, typically unavailable in theaters, to enthusiastic audiences at the Starlite. Transgender Day of Visibility This year’s Transgender Day of Visibility event at OKEQ featured eight talented local transgender artists, performers, and musicians. TWISTED ARTS 2-Spirit Fest Our First Friday exhibition showcased nine 2-spirit visual artists on Friday, followed by 20+ performers, artists, and panelists on Saturday. �More Events ANNUAL REPORT 2024 Pride Kickoff We kicked off Pride with eight local performers, 15 vendors, and empanadas from Que Gusto on the rooftop of Tulsa Artist Fellowship Drag the Vote New voters were registered at the Colony’s first-ever Drag the Vote event, encouraging civic engagement and community involvement. TWISTED ARTS Twisted Arts Film Festival The Twisted Arts Film Festival hosted over 350 attendees and featured two directors, engaging Q&A panels, and a memorable closing night party with a special performance by Kalup Linzy. �FINANCIAL STATEMENT 2024 Financial Summary In 2024, Twisted Arts operated on a budget under $50,000, reflecting our commitment to maximizing impact with limited resources. Our total revenue was $49,135, composed of $4,000 in sponsorships, $40,000 in grants, $2,635 from ticket sales, and $2,500 from individual donations. Expenses totaled $47,109, with key allocations including $9,899 for artist fees, $8,772 for venue rental, and $3,909 for publicity and advertising. Despite modest funding, we successfully supported a variety of festival programs and events, including artist travel, lodging, and outreach activities, all within a lean budget. 2024 Economic Impact 2024 Twisted Arts programs generated substantial economic benefits for the Tulsa community. By using the Economic Impact Calculator and applying a multiplier of seven to the original figures, our festival’s total economic impact for the year is estimated at $158,145. This includes support for seven full-time equivalent jobs, $88,529 in resident household income, $11,571 in local government revenue, and $15,190 in state government revenue. These figures underscore Twisted Arts’ vital role in contributing both culturally and economically to the Tulsa area. �FUTURE OUTLOOK 2025 GOALS In celebration of our fifth anniversary, Twisted Arts is setting ambitious goals to expand both our programs and community impact, aiming for a total income of $110,000 in 2025 through increased sponsorships, grants, ticket sales, and donations. This funding will allow us to allocate $40,000 toward artist fees, supporting more local artists and elevating program quality. Additional resources will enhance outreach, publicity, staffing, and fundraising, sustaining growth and expanding our reach. With a total budget of $100,000, we are excited to mark this milestone year with innovative programming, deeper community engagement, and expanded opportunities for local talent. FIFTH ANNIVERSARY BIRTHDAY BASH Twisted Arts is excited to present Margaret Cho live at Cain's Ballroom on April 9, 2025, as part of our fifth-anniversary celebration and our first-ever fundraiser! This event aims to raise funds for Girls Rock!, a new youth-centered arts and social justice program empowering young people through music and creative expression. Margaret Cho’s "Live and LIVID" tour promises a night filled with humor and bold commentary, tackling issues like homophobia, sexism, and racism. As Cho celebrates 40 years in comedy, she invites audiences to “come through” for an unforgettable experience. This fundraiser will set the stage for Girls Rock! to provide invaluable resources, mentorship, and creative opportunities for Tulsa’s youth, helping to cultivate the next generation of artists and activists. We look forward to making this night one of impact, connection, and celebration. �Thank You SPONSORS! We extend our heartfelt thanks to our generous sponsors for making the Twisted Arts fourth-anniversary celebration and our first-ever fundraiser a reality. Your support is instrumental in helping us continue our core programs, including the Twisted Arts Film Festival, 2-Spirit Fest, and community outreach events that bring LGBTQ2S+ arts and voices to the forefront. Thanks to your commitment, we are able to provide impactful programming, foster connections, and celebrate diverse stories that inspire and unite our community. Your partnership fuels our mission and encourages a future filled with creativity, inclusivity, and cultural enrichment. We are truly grateful for your belief in our vision and for standing with us as we grow and make a lasting impact. �CONTACT US TWISTED ARTS Phone/ (918) 221-5565 Email/ kevin@twistedfest.org Website/ www.twistedarts.org Address/ P.O. Box 14476 Tulsa, OK 74159 � https://www.history.okeq.org/files/original/376dcc682418d2ff1fbc1eda495e0331.jpeg 3b6eed65b5b7f5b17821e0b502abb85d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Margaret Cho Promotional Poster Subject The topic of the resource Margaret Cho Live & Livid Comedy Tour Presented by Twisted Arts Promotional Poster Description An account of the resource A promotional poster for Margaret Cho's performance at Cain's Ballroom on April 9, 2025, as part of her Live &amp; Livid Comedy Tour, presented by Twisted Arts.<br /><br />Transcript:<br /><br /><strong>APRIL 9, 2025</strong><br /><br />SINCE 1924<br />Cain's BALLROOM<br />TULSA<br /><br /><strong>MARGARET CHO</strong> LIVE &amp; Livid COMEDY TOUR<br /><br />Presented by<br /><strong>TWISTED ARTS</strong><br /><br />Follow us for more info: @twistedartstulsa / twistedarts.org Creator An entity primarily responsible for making the resource Twisted Arts Date A point or period of time associated with an event in the lifecycle of the resource April 9, 2025 Contributor An entity responsible for making contributions to the resource Margaret Cho Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [2024-2025] Twisted Arts Subject The topic of the resource Twisted Arts Related Materials Description An account of the resource Materials related to the Twisted Arts organization. Creator An entity primarily responsible for making the resource Twisted Arts Date A point or period of time associated with an event in the lifecycle of the resource 2024 - April 9, 2025 Contributor An entity responsible for making contributions to the resource Margaret Cho, Kevin Lovelace 2-Spirit Fest 2024 2024 pride 2025 Anne and Henry Zarrow Family Foundation annual report Cain's Ballroom Drag Me to the Movies Drag the Vote Film film festival films financial statements Gayest Dog in Tulsa Fundraiser George Kaiser Family Foundation Kevin Lovelace Margaret Cho McGill Foundation OKEQ fundraising Oklahoma Arts Council Ralph and Frances Starlite The Starlite Transgender Day of Visibility Tulsa Artist Fellowship Twisted Arts Twisted Arts Film Festival two spirit two-spirit Two-Spirt Fest Vision Tulsa https://www.history.okeq.org/files/original/386e661746689c370ed2778f6c708546.jpg b118be5a890bb797e17cb3d63abb3540 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource {ND] Photo of Drag Performer and Patron Description An account of the resource A photo of a drag performer leaning down to a patron. Undated. Subjects currently unidentified. Creator An entity primarily responsible for making the resource Unknown photographer Date A point or period of time associated with an event in the lifecycle of the resource N/D https://www.history.okeq.org/files/original/1d1c62b699fd1175c9c6e4402ca2c14d.pdf e81b1f1467ab76f9dcfe20d6fac7ee0b PDF Text Text ������ Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Series] The Pyramid Project > Strategic Planning & Leadership Description An account of the resource <strong>Physical Media:</strong> <br />Box 5, Folder 5 - Meeting Materials<br />Box 5, Folder 8 - Strategic Planning &amp; Leadership<br /><br /><strong>Digital Media:</strong> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [ND] Pyramid Project Presentation Subject The topic of the resource Pyramid Project Capital Campaign Presentation Description An account of the resource A 6 page presentation provided by OutGiving, a Gill Foundation project. Addresses how to organize and campaign a capital project. Creator An entity primarily responsible for making the resource Gill Foundation campaign fundraisers fundraising Gill Foundation outgiving OutGiving Gill Foundation presentation Pyramid Project Pyramid Project campaign Pyramid Project Capital Campaign Pyramid Project fundraising Pyramid Project planning TOHR TOHR Pyramid Project Tulsa Oklahomans for Human Rights Tulsa Oklahomans for Human Rights (TOHR) https://www.history.okeq.org/files/original/f2fc995ad92078b27785da2142b5d89d.pdf 59f35decacadaa190822f28f6255af77 PDF Text Text �� Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Sub-Series] The Pyramid Project > Meeting Materials Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [2001] Pyramid Project Email and Fundraiser RSVP Card Subject The topic of the resource 2001 Pyramid Project Email and Fundraiser RSVP Card Description An account of the resource 1 page printed copy of a forwarded email from Sue Welch on April 20, 2001, forwarded on April 26, 2001, regarding an upcoming Pyramid Project Committee meeting and topics to discuss with some handwritten notes, and 1 page of an invitation to a fundraiser event at the Tulsa GLBT Community Center. Date A point or period of time associated with an event in the lifecycle of the resource April 26, 2001 Contributor An entity responsible for making contributions to the resource Sue Welch 2001 David Hoot email Fernando Este Fundraiser fundraisers fundraising Howard Nix invitation Kerry Lewis Marc Frieden Mark Bonney Pyramid Project Pyramid Project Committee Pyramid Project Committee meeting Pyramid Project fundraising Pyramid Project planning Sue Welch Theresa Bernard Tulsa GLBT Community Center Vance Reed https://www.history.okeq.org/files/original/30a44e7afb2942c4d0e18484464ac461.pdf 0d492146535c7f6906d70378a63590e2 PDF Text Text ���� Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Sub-Series] The Pyramid Project > Meeting Materials Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [ND] Pyramid Project Tasks to be Done Subject The topic of the resource Pyramid Project Grant Committee Tasks to be Done Description An account of the resource 4 pages listing 11 items to be completed in preparation of opening the new building, handwritten notes and floor plan sketches included. floor plans Gill Foundation Pyramid Project Pyramid Project campaign Pyramid Project Capital Campaign Pyramid Project Capital Campaign Committee Pyramid Project Committee Pyramid Project floor plans Pyramid Project fundraising Pyramid Project Grant Committee Pyramid Project planning TOHR TOHR Pyramid Project Tulsa Oklahomans for Human Rights Tulsa Oklahomans for Human Rights (TOHR) https://www.history.okeq.org/files/original/ba1cfeaff83471b5b273000d3b4e9648.pdf 5de482bde9f693c478d84a30b70a02b9 PDF Text Text � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Series] The Pyramid Project > Strategic Planning & Leadership Description An account of the resource <strong>Physical Media:</strong> <br />Box 5, Folder 5 - Meeting Materials<br />Box 5, Folder 8 - Strategic Planning &amp; Leadership<br /><br /><strong>Digital Media:</strong> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [2001] Schnake Turnbo Frank Memo Subject The topic of the resource 2001 Schnake Turnbo Frank, Inc. Memorandum Description An account of the resource 1 page of a memorandum sent on September 10, 2001, from Steve Turnbo and Russ Florence of Schnake Turnbo Frank, Inc. as Public Relations Consultants reviewing the Pyramid Project's marketing materials. They advise to make their marketing brochure more concise and offer to write the first draft with the assistance of Judy McHenry. Creator An entity primarily responsible for making the resource Schnake Turnbo Frank, Inc. Date A point or period of time associated with an event in the lifecycle of the resource September 10, 2001 Contributor An entity responsible for making contributions to the resource Steve Turnbo and Russ Florence 2001 Greg Gatewood Judy McHenry Marcy Smith memorandum Nancy McDonald Pyramid Project Pyramid Project campaign Pyramid Project Capital Campaign Pyramid Project fundraising Pyramid Project planning Russ Florence Schnake Turnbo Frank Schnake Turnbo Frank Inc. Steve Turnbo Sue Welch https://www.history.okeq.org/files/original/acd86e71a3199dd6c08850c03d610da9.pdf 2d921819fa2a6e721f04bd85484b3138 PDF Text Text �� Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Series] The Pyramid Project > Building History Description An account of the resource <strong>Physical Media:</strong> <br />Box 5, Folder 6 - Building Materials<br /><br /><strong>Digital Media:</strong> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [ND] Pyramid Project Preliminary Space Programming Subject The topic of the resource Tulsa Gay, Lesbian, Bi and Transgender Community Center Pyramid Project Preliminary Space Programming Description An account of the resource 2 pages of a chart calculating the total square feet space required for the new building per the Tulsa GLBT Community Center Campaign, also known as the Pyramid Project, led by Tulsa Oklahomans for Human Rights (TOHR). Contributor An entity responsible for making contributions to the resource Tulsa Oklahomans for Human Rights (TOHR) floor plans Pyramid Project Pyramid Project floor plans Pyramid Project planning TOHR TOHR Pyramid Project Tulsa Gay Lesbian Bisexual and Transgender Community Center Tulsa GLBT Community Center Tulsa Oklahomans for Human Rights Tulsa Oklahomans for Human Rights (TOHR) https://www.history.okeq.org/files/original/86c3b6ef16e204a4a5e53a25e9016b34.pdf 80fb63a8b5138ae995a04a111d17cd48 PDF Text Text ��� Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Series] The Pyramid Project > Events Description An account of the resource <strong>Physical Media:</strong> <br />Box 5, Folder 2 - Events<br /><br /><strong>Digital Media:</strong> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [2000] Pyramid Project Kick Off Party Subject The topic of the resource 2000 Pyramid Project Kick Off Party and Marty Party Guest Book Description An account of the resource 3 pages total: 1 page of a handwritten flashcard labeled "Pyramid Project Kick Off Party circa 2000", then 2 pages of The Marty Party Guest Book listing various Pyramid Project Steering Committee members and donors. 2000 donors Marty Party Pyramid Project Pyramid Project campaign Pyramid Project Capital Campaign Pyramid Project donors Pyramid Project fundraising Pyramid Project Kick Off Party Pyramid Project Steering Committee TOHR Pyramid Project https://www.history.okeq.org/files/original/d9bb2b83de393dc500445ca8f3b4cf24.pdf 7c37f86e9f2f7f03139ce8826e13c46f PDF Text Text � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Series] The Pyramid Project > Building History Description An account of the resource <strong>Physical Media:</strong> <br />Box 5, Folder 6 - Building Materials<br /><br /><strong>Digital Media:</strong> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [2002] Pyramid Project Facilities Review Preparation Form Subject The topic of the resource 2002 TOHR GLBT Facilities Review Preparation Form Description An account of the resource 1 page of a Facilities Review Preparation Form for the Tulsa Oklahomans for Human Rights (TOHR) Gay, Lesbian, Bisexual, and Transgender (GLBT) Community Center, prepared by Sue Welch, co-chair of the Pyramid Project Capital Campaign. The report details the usage of the space since the facility's opening, monthly costs, and areas needing improvement. Creator An entity primarily responsible for making the resource Sue Welch Date A point or period of time associated with an event in the lifecycle of the resource July 13, 2002 Contributor An entity responsible for making contributions to the resource Tulsa Oklahomans for Human Rights (TOHR) 2002 facilities review Facilities Review Preparation Form GLBT Community Center Pyramid Project Pyramid Project campaign Pyramid Project Capital Campaign Pyramid Project Capital Campaign Committee Sue Welch TOHR TOHR capital campaign TOHR GLBT Community Center TOHR Pyramid Project Tulsa Gay Lesbian Bisexual and Transgender Community Center Tulsa Oklahomans for Human Rights Tulsa Oklahomans for Human Rights (TOHR) https://www.history.okeq.org/files/original/2e17cf6108408746007671c222fcb9c0.pdf 72595e262979801aa81bc8826aed1e29 PDF Text Text �� Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Series] The Pyramid Project > Strategic Planning & Leadership Description An account of the resource <strong>Physical Media:</strong> <br />Box 5, Folder 5 - Meeting Materials<br />Box 5, Folder 8 - Strategic Planning &amp; Leadership<br /><br /><strong>Digital Media:</strong> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [2000] Pyramid Project Capital Campaign Notes Subject The topic of the resource 2000 Pyramid Project Capital Campaign Notes Description An account of the resource 2 pages of Capital Campaign notes for fundraising a permanent facility for Tulsa Oklahomans for Human Rights (TOHR), featuring the slogan "Building a Home... Funding the Future". The plan is split into 5 phases, with the first phase lasting from May 1, 2000, to June 30, 2000, with a fundraising goal of $40,000. The second phase lasts from August 1, 2000, to October 31, 2000, with a fundraising goal of $80,000. Creator An entity primarily responsible for making the resource Tulsa Oklahomans for Human Rights (TOHR) Date A point or period of time associated with an event in the lifecycle of the resource May 1, 2000 - June 30, 2001; August 1, 2000 - October 31, 2000 2000 GLBT Community Center Pyramid Project Pyramid Project campaign Pyramid Project Capital Campaign Pyramid Project floor plans Pyramid Project fundraising Pyramid Project planning TOHR TOHR capital campaign TOHR GLBT Community Center TOHR Pyramid Project Tulsa Gay Lesbian Bisexual and Transgender Community Center Tulsa Oklahomans for Human Rights Tulsa Oklahomans for Human Rights (TOHR) https://www.history.okeq.org/files/original/436ee543e346cb6adff5b9c3dc2b3e72.pdf 3c7d794bee5dd4e3c5f90db54bb4dfcf PDF Text Text � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Series] The Pyramid Project > Building History Description An account of the resource <strong>Physical Media:</strong> <br />Box 5, Folder 6 - Building Materials<br /><br /><strong>Digital Media:</strong> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [ND] Pyramid Project Approximate Existing Spaces Subject The topic of the resource Tulsa Gay, Lesbian, Bi and Transgender Community Center Pyramid Project Approximate Existing Spaces Description An account of the resource 1 page of a chart estimating the total square feet space required for the new building per the Tulsa GLBT Community Center Campaign, also known as the Pyramid Project, led by Tulsa Oklahomans for Human Rights (TOHR). 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For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Series] Oklahoma LGBT+ History > In Memoriam Description An account of the resource <strong>Physical Media:</strong> <br /><br /><br /><strong>Digital Media:</strong> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [2024] Candlelight Vigil for Nex Benedict Photos Description An account of the resource 52 photos from the candlelight Vigil held for Nex Benedict at Guthrie Green in Tulsa, Oklahoma on February 25, 2024. The vigil was organized by the Trans Advocacy Coalition of Oklahoma (TACO). Date A point or period of time associated with an event in the lifecycle of the resource February 25, 2024 Subject The topic of the resource 2024 Candlelight Vigil for Nex Benedict Photos 2024 candelight vigil Guthrie Green in memoriam memoriam Nex Benedict Nex Benedict candelight vigil photo photos TACO Trans Advocacy Coalition of Tulsa Trans Advocacy Coalition of Tulsa (TACO) Tulsa Tulsa Guthrie Green https://www.history.okeq.org/files/original/a959e78bf14d0548997a4890b7f52d28.pdf 9fff8b7e77709bd5a2b852a1d522e838 PDF Text Text OKEq FAQs - February 2024 1. How is OkEq going to be more transparent? The OkEq Board is committed to transparency. All of our monthly Board meetings are open to the public and take place on the third Thursday of every month from 6 p.m. to 7:30 p.m. at the Equality Center. All agendas, meeting minutes, and monthly financial reports, as well as our financial audit and bylaws can be found on our website. 2. What does it cost to operate OKEq? How many staff does the organization have? During fiscal year 2023 (October 2022 through September 2023), OKEq’s operating expenses were approximately $1.2 million. Oklahomans for Equality currently employs eight full-time staff. Six staff positions are salaried and two staff positions are hourly. A number of services (custodial, security, IT, and accounting) are provided through contracted services. 3. Why isn’t OkEq leveraging the foundations in Tulsa? OkEq has received immense support from the local foundations in Tulsa to maintain operations as we’ve rebuilt following the embezzlement. However, it was necessary to turn to the broader community for support to help bridge the funding gap between what we’ve been given by the foundations until we can reach our annual fundraising event, the Equality Gala, which is May 4, 2024. OkEq will expand efforts to better engage many historical donors who have been very generous in previous times. 4. Why are you putting the strain of fundraising on an already marginalized community? We understand times are tough financially for many in the 2SLGBTQIA+ community. We would never ask someone to give financially if that meant they wouldn’t be able to provide for their own needs. Oklahomans for Equality has poured into the lives of thousands though, and if people are in a fortunate enough position to give back, that means we as an organization can use that and pass it forward to the next person in need. This campaign has also received broad community support from those outside of the community who are allies. Furthermore, there are other ways people can support the mission of OkEq aside from financial giving. If you have time or talents and would like to get more involved, please consider volunteering at the Center, in our library, or on our Board. 5. Is OkEq closing if it doesn’t raise $100K by Valentine’s Day? Due to the generous support of the community, we have raised enough revenue to stay open for approximately the next two months at the current expense level. The Board and �staff now have additional time to secure new funding streams, take a hard look at the existing expenses, and make additional decisions about ways to reduce spending. While we understand the language used in the campaign sounded alarmist, we were at imminent risk of not being able to make payroll the week of Valentine’s Day. The Board selected the goal of $100K knowing that that would sustain the Center until our major fundraising event, The Equality Gala could get under way. The Board will expand efforts to better engage many historical donors who have been very generous in previous times. 6. Why didn’t you alert the community about the embezzlement sooner? We have tried to be as transparent as possible throughout this process. In November of 2022, the President of the Board of Directors first shared information about the situation to the public. We hosted the first community town hall in October of 2023. We will continue to hold quarterly town halls to encourage community dialogue. Please make sure you are subscribed to OkEq’s e-newsletter and are following us on social media to be notified of programs, services, and upcoming events. 7. Why didn’t the past OkEq Board and Executive Director realize at the time something was wrong when the embezzlement was actively happening? Past OkEq Board members just like the current Board are volunteers. This does not excuse past Boards from fault, but many do not come from a financial background. Even if the Board members had had financial acumen, we know that financial documents given to the Board were falsified to cover up wrongdoings. The former Executive Director who was at the helm during the period of embezzlement stepped down in June of 2022 and is no longer with the organization. We have three remaining Directors on our Board who overlapped with the previous Treasurer. One of the three is who first identified the malfeasance and informed the Board. The other two are trusted Board members who had no knowledge of the embezzlement occurring and have been supportive of all of the measures we’ve taken to insert financial controls. The Board Governance Committee has established OkEq’s first formal onboarding process to better educate and prepare new Board of Director members and Advisors. We also hosted a Board retreat with a session specifically focused on nonprofit finances. Additionally, we’ve instituted an audit committee and a finance committee to ensure accountability for the organization’s finances. The Board is committed to continued growth as well as learning and implementing best nonprofit Board practices. 8. What about all of the harm that OkEq has caused in the past? The current Board and leaders of OkEq recognize that even though we are responsible for a lot of good, that doesn’t negate the fact that we are responsible for a lot of very real harm. If we are going to be Oklahomans for Equality who run the Dennis R. Neill Equality Center, we need to live up to the ideals of equality for all. This means looking at the �intersectional identities of all 2SLGBTQIA+ people and realizing there is no singular queer experience. We understand that some are frustrated that we have asked for funds without fully rectifying practices that cause harm. OkEq has tried to do this simultaneously, but rebuilding relationships and repairing relationships takes time. We were running out of time to be able to continue these conversations because of our financial position. We are working on a new membership model that puts more power and agency back in the hands of our members. Our staff does phenomenal work. The reality is that we are operating with only around 50% of the staff we should have for a Center our size. The changes to membership that we are currently working through will also allow an avenue for people to engage with OkEq leadership and ensure their voices are heard. � Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Text Any textual data included in the document <div style="text-align:center;">OKEq FAQs - February 2024<br /><br /></div> <strong>1. How is OkEq going to be more transparent?</strong><br /><em>The OkEq Board is committed to transparency. All of our monthly Board meetings are open to the public and take place on the third Thursday of every month from 6 p.m. to 7:30 p.m. at the Equality Center. All agendas, meeting minutes, and monthly financial reports, as well as our financial audit and bylaws can be found on our website.</em><br /><br /><strong>2. What does it cost to operate OKEq? How many staff does the organization have?</strong><br /><em>During fiscal year 2023 (October 2022 through September 2023), OKEq’s operatingexpenses were approximately $1.2 million. Oklahomans for Equality currently employs eight full-time staff. Six staff positions are salaried and two staff positions are hourly. A number of services (custodial, security, IT, and accounting) are provided through contracted services.</em><br /><br /><strong>3. Why isn’t OkEq leveraging the foundations in Tulsa?</strong><br /><em>OkEq has received immense support from the local foundations in Tulsa to maintain operations as we’ve rebuilt following the embezzlement. However, it was necessary to turn to the broader community for support to help bridge the funding gap between what we’ve been given by the foundations until we can reach our annual fundraising event, the Equality Gala, which is May 4, 2024. OkEq will expand efforts to better engage many historical donors who have been very generous in previous times.</em><br /><br /><strong>4. Why are you putting the strain of fundraising on an already marginalized community?</strong><br /><em>We understand times are tough financially for many in the 2SLGBTQIA+ community. We would never ask someone to give financially if that meant they wouldn’t be able to provide for their own needs. Oklahomans for Equality has poured into the lives of</em><br /><em>thousands though, and if people are in a fortunate enough position to give back, that means we as an organization can use that and pass it forward to the next person in need. This campaign has also received broad community support from those outside of the community who are allies.</em><br /><em>Furthermore, there are other ways people can support the mission of OkEq aside from financial giving. If you have time or talents and would like to get more involved, please consider volunteering at the Center, in our library, or on our Board.</em><br /><br /><strong>5. Is OkEq closing if it doesn’t raise $100K by Valentine’s Day?</strong><br /><em>Due to the generous support of the community, we have raised enough revenue to stay open for approximately the next two months at the current expense level. The Board and staff now have additional time to secure new funding streams, take a hard look at the existing expenses, and make additional decisions about ways to reduce spending.</em><br /><em>While we understand the language used in the campaign sounded alarmist, we were at imminent risk of not being able to make payroll the week of Valentine’s Day. The Board selected the goal of $100K knowing that that would sustain the Center until our major fundraising event, The Equality Gala could get under way. The Board will expand efforts to better engage many historical donors who have been very generous in previous times.</em><br /><br /><strong>6. Why didn’t you alert the community about the embezzlement sooner?</strong><br /><em>We have tried to be as transparent as possible throughout this process. In November of 2022, the President of the Board of Directors first shared information about the situation to the public. We hosted the first community town hall in October of 2023. We will continue to hold quarterly town halls to encourage community dialogue. Please make sure you are subscribed to OkEq’s e-newsletter and are following us on social media to be notified of programs, services, and upcoming events.</em><br /><br /><strong>7. Why didn’t the past OkEq Board and Executive Director realize at the time something was wrong when the embezzlement was actively happening?</strong><br /><em>Past OkEq Board members just like the current Board are volunteers. This does not excuse past Boards from fault, but many do not come from a financial background. Even if the Board members had had financial acumen, we know that financial documents given to the Board were falsified to cover up wrongdoings.</em><br /><em>The former Executive Director who was at the helm during the period of embezzlement stepped down in June of 2022 and is no longer with the organization. We have three remaining Directors on our Board who overlapped with the previous Treasurer. One of</em><br /><em>the three is who first identified the malfeasance and informed the Board. The other two are trusted Board members who had no knowledge of the embezzlement occurring and have been supportive of all of the measures we’ve taken to insert financial controls.</em><br /><em>The Board Governance Committee has established OkEq’s first formal onboarding process to better educate and prepare new Board of Director members and Advisors. We also hosted a Board retreat with a session specifically focused on nonprofit finances. Additionally, we’ve instituted an audit committee and a finance committee to ensure accountability for the organization’s finances. The Board is committed to continued growth as well as learning and implementing best nonprofit Board practices.</em><br /><br /><br /><strong>8. What about all of the harm that OkEq has caused in the past?</strong><br /><em>The current Board and leaders of OkEq recognize that even though we are responsible for a lot of good, that doesn’t negate the fact that we are responsible for a lot of very real harm. If we are going to be Oklahomans for Equality who run the Dennis R. Neill Equality Center, we need to live up to the ideals of equality for all. This means looking at the intersectional identities of all 2SLGBTQIA+ people and realizing there is no singular</em><br /><em>queer experience.</em><br /><em>We understand that some are frustrated that we have asked for funds without fully rectifying practices that cause harm. OkEq has tried to do this simultaneously, but rebuilding relationships and repairing relationships takes time. We were running out of time to be able to continue these conversations because of our financial position. We are working on a new membership model that puts more power and agency back in the hands of our members.</em><br /><em>Our staff does phenomenal work. The reality is that we are operating with only around 50% of the staff we should have for a Center our size. The changes to membership that we are currently working through will also allow an avenue for people to engage with OkEq leadership and ensure their voices are heard.</em> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [2024] OKEQ FAQs - February 2024 Subject The topic of the resource 2024 Frequently Asked Questions and Answers from OKEq, February 2024 Description An account of the resource 3 pages of a publicly available document posted to the main page of the Oklahomans for Equality website containing 8 frequently asked questions and answers from OKEq regarding the February fundraising event and organizational changes. Creator An entity primarily responsible for making the resource Oklahomans for Equality (OkEq) Source A related resource from which the described resource is derived Oklahomans for Equality https://okeq.org/ Date A point or period of time associated with an event in the lifecycle of the resource February 2024 100k to Valentine's Day 2024 FAQ frequently asked questions fundraisers fundraising OkEq OKEQ Board OKEQ fundraising Oklahomans for Equality Oklahomans for Equality (OKEQ) Oklahomans for Equality Board Oklahomans for Equality fundraising https://www.history.okeq.org/files/original/bd984b4bd1ceb3a8aeadb45903b8a96b.pdf 4578c3bc796e0704e128ba48b46abd41 PDF Text Text Press Release Oklahomans for Equality fundraiser reaches $70,000 OKEq board members provide additional information on the state of the organization and announce leadership transition For Immediate Release Tulsa, OK (February 13, 2024) - Following a recent fundraising effort focused on sustaining operations, the Oklahomans for Equality (OkEq) Board of Directors is providing an update on the organization's financial status. "As of Monday, February 12, OkEq has received just over $70,000 in donations," Board President Eric Wilson said. "We are encouraged by and optimistic about the outpouring of support we've seen over the last few days. We are looking forward to working together as a board and with our donors and volunteers to build a plan that will secure OkEq's future for generations to come." Representatives from OkEq say that the organization's financial challenges are rooted in a few related issues occurring prior to 2022: fiscal mismanagement by a former volunteer, a lack of adequate financial controls to ensure appropriate oversight and accurate accounting, and operating beyond available revenue. Vice President Bob Hanson said, “In February 2022, the former volunteer Treasurer presented a falsified audit report to the Board, and the Board discovered this within 24 hours of receiving it. The individual was immediately dismissed, and the Board began reviewing the financial structure of the organization and identified numerous gaps that needed to be addressed.This process was cumbersome and took a great deal of time and volunteer hours.” A police report was filed with the Tulsa Police Department in September 2022. Once the forensic audit was completed in August 2023, it was provided to the Tulsa Police Department. At this time, the OkEq Board awaits further information and updates from the Tulsa Police Department about the status of the ongoing investigation. The Board immediately set out to create appropriate financial oversight and develop a full financial picture. Through this process, the Board of Directors also uncovered that in years prior to 2022, restricted funds were reallocated to cover monthly expenses. Steps were immediately taken to prevent this kind of reallocation from occurring. “So while expenses were covered at any given time, OkEq was spending more non-restricted cash than it had,” explained President Eric Wilson. “It has taken over a year to create a clear financial picture. We have much work to do to better engage with local �philanthropy, historical donors, and our business community. We now have strong fiscal foundations in place to confidently do so.” In the last several months, representatives from the OkEq’s Executive Committee also shared that the organization experienced a decrease in end-of-year giving. Charitable donations in the fall and early winter have historically supported the organization until major spring fundraisers occur. In the last 18 months, OKEq’s executive director and board members have worked urgently to implement rigorous financial controls, including: ● ● ● ● In October 2022, engaged with an accounting firm, with expertise in non-profit accounting to handle all of the finances for the organization. In November 2022, Workman Forensics was contracted to conduct a forensic audit which was completed in August 2023. The new Treasurer, who has an extensive background in finance, implemented necessary controls and processes to ensure accuracy and transparency. Some of the new controls and processes include multiple layers of approval for all invoices, specific approval from the executive committee for the use of restricted funds to ensure that funds are used for intended purposes, elimination of all credit cards, monthly meetings between the external accounting firm and the Finance Committee. An external Certified Public Accounting Firm was hired to complete a financial audit. This was completed and reviewed by the Board in January 2024. The results of the audit demonstrated that the organization now has all of the needed and recommended financial controls in place. This audit can be reviewed here. The Board of Directors and Executive Director Dorothy (Des) Ballard have also worked with staff and community members to identify and prioritize OkEq's most essential services. Maintaining the health clinic, mental health services, and youth and elder programming are at the top of the list. Even with improved controls and prioritized services, OKEq’s Board and staff will urgently pursue continued fundraising efforts with intentional outreach to Tulsa’s philanthropic and business communities, long-standing donors of the Center, and local and national grant opportunities. Executive Director Dorothy (Des) Ballard has made incredible strides in steering OkEq’s restructuring and stabilization through the strategic plan developed under her leadership. She recently stepped back to ensure that work could continue as she focuses on meeting serious health challenges. “My time at OkEq has been an honor and a privilege that now must sadly end. The Board had been working with me to ensure a smooth transition as I face these critical health challenges but the remaining deficit in our funding required I take that step sooner to ensure staff and programming could be preserved” said Ballard. “I’m proud of all we have accomplished and will remain an active advocate of OkEq, its mission, and our community.” �Vice President Hanson shared, “We thank Des for her work, passion, and love for the Tulsa 2SLGBTQIA+ community.” Over the next few months, the OkEq Board will take urgent steps to chart a sustainable path forward for the Center. Some key next steps are to Identify an interim executive director, to work with staff to determine how to best support essential programming at the Center as existing revenue is maximized, and to continue to engage local foundations and long-term donors and supporters in fundraising efforts. Community members interested in supporting OkEq can visit https://OkEq.org/donate/ to make a tax-deductible donation. ### �The information below provides a high-level overview of the actions taken by OkEq’s Board of Directors as it navigated through a set of organizational and financial challenges from February 2022 through present. One timeline shares the steps taken to create effective financial oversight. The second timeline provides information about fundraising efforts. Creating Financial Oversight February 2022: The former volunteer Treasurer presented a falsified audit report to the Board, and the Board discovered this within 24 hours of receiving it. The individual was immediately dismissed, and the Board began reviewing the financial structure of the organization and identified numerous gaps that needed to be addressed. In addition, the Board added members with strong financial backgrounds to provide stronger oversight. September 2022: Initial report filed about potential embezzlement with Tulsa Police Department October 2022: The Board contracted with Oklahoma Nonprofit Partners, an outside accounting firm who specializes in non-profit accounting, to handle all of the finances for the organization. November 2022: Workman Forensics was contracted to conduct a forensic audit. Letter shared with OkEq members and community to explain the potential embezzlement and steps taken. April 2023: The Board voted unanimously to amend the bylaws to require the Treasurer be a member of the Board of Directors and subject the position to term limits in line with all of the other executive committee officers. August 2023: The forensic audit was completed. A copy of the audit report was provided to the Tulsa Police Department. October 2023: Certified Public Accounting firm hired to complete a standard annual financial audit. January 2024: Annual financial audit completed for the first time since 2015. This audit also allows OkEq to seek more funding opportunities. �Fundraising April 2022: The 2022 Equality Gala generated enough revenue to sustain the organization for several months. Summer and Fall of 2022: Several Tulsa area foundations supported the organization with enough funding to maintain operations through 2022. January/February 2023: Additional funding was given by individuals and area foundations that ensured the continued operation of the organization. May 2023: The 2023 Equality Gala raised enough donations to sustain the organization for several months. June–September 2023: OkEq hired a grant coordinator to focus on identifying and writing for new grants. A number of grant applications for grants which were attainable without a financial audit were submitted. OkEq also received funding from several area foundations that were able to assist to get us through 2023. January 2024: It becomes clear to the Board that OkEq received much less in end-of-year giving than typical. This lack of revenue significantly impacted revenue and cash flow. February 2024: OkEq launches the “100K to Valentine’s Day” fundraiser. ED Dorothy ‘Des’ Ballard elects to step away as a cost saving measure. � Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Text Any textual data included in the document <div style="text-align:center;">Press Release</div> <div style="text-align:center;"><strong>Oklahomans for Equality fundraiser reaches $70,000</strong></div> <div style="text-align:center;"><strong>OKEq board members provide additional information on the state of the organization and announce leadership transition<br /></strong>For Immediate Release<br /><br /></div> Tulsa, OK (February 13, 2024) - Following a recent fundraising effort focused on sustaining operations, the Oklahomans for Equality (OkEq) Board of Directors is providing an update on the organization's financial status.<br />"As of Monday, February 12, OkEq has received just over $70,000 in donations," Board President Eric Wilson said. "We are encouraged by and optimistic about the outpouring of support we've seen over the last few days. We are looking forward to working together as a board and with our donors and volunteers to build a plan that will secure OkEq's future for generations to come."<br />Representatives from OkEq say that the organization's financial challenges are rooted in a few related issues occurring prior to 2022: fiscal mismanagement by a former volunteer, a lack of adequate financial controls to ensure appropriate oversight and accurate accounting, and operating beyond available revenue.<br />Vice President Bob Hanson said, “In February 2022, the former volunteer Treasurer presented a falsified audit report to the Board, and the Board discovered this within 24 hours of receiving it. The individual was immediately dismissed, and the Board began reviewing the financial structure of the organization and identified numerous gaps that needed to be addressed.This process was cumbersome and took a great deal of time and volunteer hours.”<br />A police report was filed with the Tulsa Police Department in September 2022. Once the forensic audit was completed in August 2023, it was provided to the Tulsa Police Department. At this time, the OkEq Board awaits further information and updates from the Tulsa Police Department about the status of the ongoing investigation.<br />The Board immediately set out to create appropriate financial oversight and develop a full financial picture. Through this process, the Board of Directors also uncovered that in years prior to 2022, restricted funds were reallocated to cover monthly expenses. Steps were immediately taken to prevent this kind of reallocation from occurring. “So while expenses were covered at any given time, OkEq was spending more non-restricted cash than it had,” explained President Eric Wilson. “It has taken over a year to create a clear financial picture. We have much work to do to better engage with local philanthropy, historical donors, and our business community. We now have strong fiscal foundations in place to confidently do so.”<br />In the last several months, representatives from the OkEq’s Executive Committee also shared that the organization experienced a decrease in end-of-year giving. Charitable donations in the fall and early winter have historically supported the organization until major spring fundraisers occur.<br />In the last 18 months, OKEq’s executive director and board members have worked urgently to implement rigorous financial controls, including:<br />● In October 2022, engaged with an accounting firm, with expertise in non-profit accounting to handle all of the finances for the organization.<br />● In November 2022, Workman Forensics was contracted to conduct a forensic audit which was completed in August 2023.<br />● The new Treasurer, who has an extensive background in finance, implemented necessary controls and processes to ensure accuracy and transparency. Some of the new controls and processes include multiple layers of approval for all invoices, specific approval from the executive committee for the use of restricted funds to ensure that funds are used for intended purposes, elimination of all credit cards, monthly meetings between the external accounting firm and the Finance Committee.<br />● An external Certified Public Accounting Firm was hired to complete a financial audit. This was completed and reviewed by the Board in January 2024. The results of the audit demonstrated<br />that the organization now has all of the needed and recommended financial controls in place. This audit can be reviewed here.<br />The Board of Directors and Executive Director Dorothy (Des) Ballard have also worked with staff and community members to identify and prioritize OkEq's most essential services. Maintaining the health clinic, mental health services, and youth and elder programming are at the top of the list. Even with improved controls and prioritized services, OKEq’s Board and staff will urgently pursue continued fundraising efforts with intentional outreach to Tulsa’s philanthropic and business communities, long-standing donors of the Center, and local and national grant opportunities.<br />Executive Director Dorothy (Des) Ballard has made incredible strides in steering OkEq’s restructuring and stabilization through the strategic plan developed under her leadership. She recently stepped back to ensure that work could continue as she focuses on meeting serious health challenges.<br />“My time at OkEq has been an honor and a privilege that now must sadly end. The Board had been working with me to ensure a smooth transition as I face these critical health challenges but the remaining deficit in our funding required I take that step sooner to ensure staff and programming could be preserved” said Ballard. “I’m proud of all we have accomplished and will remain an active advocate of OkEq, its mission, and our community.”<br />Vice President Hanson shared, “We thank Des for her work, passion, and love for the Tulsa 2SLGBTQIA+ community.”<br />Over the next few months, the OkEq Board will take urgent steps to chart a sustainable path forward for the Center. Some key next steps are to Identify an interim executive director, to work with staff to determine how to best support essential programming at the Center as existing revenue is maximized, and to continue to engage local foundations and long-term donors and supporters in fundraising efforts.<br />Community members interested in supporting OkEq can visit<br />https://OkEq.org/donate/ to make a tax-deductible donation.<br /> <div style="text-align:center;"><br />###</div> <br /><em>The information below provides a high-level overview of the actions taken by OkEq’s Board of Directors as it navigated through a set of organizational and financial challenges from February 2022 through present. One timeline shares the steps taken to create effective financial oversight. The second timeline </em><em>provides information about fundraising efforts.<br /></em><br /> <div style="text-align:center;"><strong>Creating Financial Oversight</strong></div> <strong>February 2022:</strong> The former volunteer Treasurer presented a falsified audit report to the Board, and the Board discovered this within 24 hours of receiving it. The individual was immediately dismissed, and the Board began reviewing the financial structure of the organization and identified numerous gaps that needed to be addressed. In addition, the Board added members with strong financial backgrounds to provide stronger oversight.<br /><strong>September 2022:</strong> Initial report filed about potential embezzlement with Tulsa Police Department<br /><strong>October 2022:</strong> The Board contracted with Oklahoma Nonprofit Partners, an outside accounting firm who specializes in non-profit accounting, to handle all of the finances for the organization.<br /><strong>November 2022:</strong> Workman Forensics was contracted to conduct a forensic audit. Letter shared with OkEq members and community to explain the potential embezzlement and steps taken.<br /><strong>April 2023:</strong> The Board voted unanimously to amend the bylaws to require the Treasurer be a member of the Board of Directors and subject the position to term limits in line with all of the other executive committee officers.<br /><strong>August 2023:</strong> The forensic audit was completed. A copy of the audit report was provided to the Tulsa Police Department.<br /><strong>October 2023:</strong> Certified Public Accounting firm hired to complete a standard annual financial audit.<br /><strong>January 2024:</strong> Annual financial audit completed for the first time since 2015. This audit also allows OkEq to seek more funding opportunities.<br /><br /> <div style="text-align:center;"><strong>Fundraising</strong></div> <strong>April 2022:</strong> The 2022 Equality Gala generated enough revenue to sustain the organization for several months.<br /><strong>Summer and Fall of 2022:</strong> Several Tulsa area foundations supported the organization with enough funding to maintain operations through 2022.<br /><strong>January/February 2023:</strong> Additional funding was given by individuals and area foundations that ensured the continued operation of the organization.<br /><strong>May 2023:</strong> The 2023 Equality Gala raised enough donations to sustain the organization for several months.<br /><strong>June–September 2023:</strong> OkEq hired a grant coordinator to focus on identifying and writing for new grants. A number of grant applications for grants which were attainable without a financial audit were submitted. OkEq also received funding from several area foundations that were able to assist to get us through 2023.<br /><strong>January 2024:</strong> It becomes clear to the Board that OkEq received much less in end-of-year giving than typical. This lack of revenue significantly impacted revenue and cash flow.<br /><strong>February 2024:</strong> OkEq launches the “100K to Valentine’s Day” fundraiser. ED Dorothy ‘Des’ Ballard elects to step away as a cost saving measure. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [2024] Press Release: "Oklahomans for Equality fundraiser reaches $70,000" Subject The topic of the resource 2024 Press Release: "Oklahomans for Equality fundraiser reaches $70,000: OKEq board members provide additional information on the state of the organization and announce leadership transition" Description An account of the resource A 5 page document from Oklahomans for Equality (OkEq) outlining the money donated to the organization during a fundraising event and the transfer of leadership from Executive Director Dorothy (Des) Ballard. Includes two charts tracking the timelines of OkEq's financial oversights and fundraising. Creator An entity primarily responsible for making the resource Oklahomans for Equality (OkEq) Source A related resource from which the described resource is derived Oklahomans for Equality (OkEq) Date A point or period of time associated with an event in the lifecycle of the resource February 13, 2024 100k to Valentine's Day 2024 Board President Eric Wilson Bob Hanson Des Ballard donations donors Dorothy (Des) Ballard Dorothy Ballard Eric Wilson executive director Executive Director Des Ballard Executive Director Dorothy (Des) Ballard fundraisers fundraising OkEq OKEQ Board OKEQ Board of Directors OKEQ Board President OKEQ Board President Eric Wilson OKEQ Board Vice President OKEQ donations OKEQ donors OKEQ Executive Committee OKEQ Executive Director OKEQ Executive Director Des Ballard OKEQ Executive Director Dorothy (Des) Ballard OKEQ fundraising OKEQ Vice President Bob Hanson Oklahomans for Equality Oklahomans for Equality (OKEQ) Oklahomans for Equality Board Oklahomans for Equality Executive Director Oklahomans for Equality fundraising press release Vice President Bob Hanson https://www.history.okeq.org/files/original/713207e3ff16cb54aa200219ddf334b5.pdf 9623c1d636ca509ab605e6a0a09b4b70 PDF Text Text �� Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [2004] Welcome Home Poster Subject The topic of the resource 2004 Advertisement and mail order form for the Welcome Home open house at the Dennis R. Neill Equality Center. Description An account of the resource A poster advertising the Welcome Home open house at the Dennis R. Neill Equality Center. The poster advertises an art exhibit, an opening night reception, a demonstration, gay bingo, Test Fest, Brunch and Blessings, and Wild Hearts Ball 7. The attached mail order form allows for ordering tickets to three events: Gay Bingo, Wild Hearts Ball 7, and Brunch and Blessings. Date A point or period of time associated with an event in the lifecycle of the resource February 2004 Creator An entity primarily responsible for making the resource Oklahomans for Equality (OkEq) 2004 AIDS testing AIDS/HIV testing Dennis R. Neill Equality Center Equality Center Equality Center Opening Equality Center Opening Night Reception Free HIV Testing HIV testing HIV/AIDs testing OkEq OKEQ Capital Campaign OKEQ donors OkEq Equality Center Oklahomans for Equality Oklahomans for Equality (OKEQ) Opening Night Reception TOHR TOHR capital campaign Tulsa Oklahomans for Human Rights Tulsa Oklahomans for Human Rights (TOHR) Tulsa Oklahomans for Human Rights HIV Testing Wild Hearts Ball Wild Hearts Ball 7 https://www.history.okeq.org/files/original/023cb903251e535d7bce843c1a2e3386.pdf ff7943ad6d305be3e320b8f17ac47d7e PDF Text Text �� Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Text Any textual data included in the document Transgender Day of Remembrance 7p.m. Thursday November 20th @ the OkEq Equality Center 4th & Kenosha Downtown Tulsa Remembering the 17 victims of lethal anti-transgender violence since Nov. 2007 Listening, learning, and experiencing what it is like to be transgender Supporting and celebrating our local transgender community Presented by The Gender Advocacy Team of Oklahomans for Equality www.okeq.org Transgender Day of Remembrance November 20, 2008 Greetings from Oklahomans for Equality Toby Jenkins, Board President Greetings from the Gender Advocacy Team Zoey Sloane Music from Jared Tyler A Message from All Souls Unitarian Church Reverend Tamara LeBak Dr. Laura Arrowsmith MtF vs. FtM Music from Sisters in Song Violet Council Oak Zoey A tribute to our fallen Prayer from Nate Black Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [2008] Transgender Day of Remembrance Program Subject The topic of the resource 2008 Program for Transgender Day of Remembrance Event Description An account of the resource A 2008 program for a Transgender Day of Remembrance gathering that took place on November 20 at the OkEq Equality Center. Date A point or period of time associated with an event in the lifecycle of the resource November 20, 2008 Creator An entity primarily responsible for making the resource Gender Advocacy Team of Oklahomans for Equality 2008 ALL SOULS UNITARIAN CHURCH Board President Toby Jenkins Dennis R. Neill Equality Center Dr. Laura Arrowsmith Equality Center Gender Advocacy Team Gender Advocacy Team of OKEQ Jared Tyler Laura Arrowsmith Nate Black OkEq OKEQ Board President OKEQ Board President Toby Jenkins OkEq Equality Center Oklahomans for Equality Oklahomans for Equality (OKEQ) Reverend Tamara LeBak Sisters in Song Tamara LeBak Toby Jenkins Trans Murder Transgender Transgender Day of Remembrance Zoey Sloane https://www.history.okeq.org/files/original/c1a5802ac6dca9bd08b7fca09a56aae5.pdf 17d3e065fa4820d7052488f601dc33a8 PDF Text Text � Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Text Any textual data included in the document Out Thanksgiving meal today has been provided by: Unity Church of Christianity Parish Church of Saint Jerome [this item is crossed out in pen] Bethany Christian Church College Hill Presbyterian Church Fellowship Lutheran Church All Souls Unitarian Church St. Paul's United Methodist Diversity Christian Fellowship International Whole Foods Tulsa We give thanks for their participation and for your attendance! Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [ND] Thanksgiving Meal Poster Description An account of the resource An OkEq poster listing the sponsors/providers for a Thanksgiving meal, contains some handwritten notes. Date A point or period of time associated with an event in the lifecycle of the resource ND Subject The topic of the resource Thanksgiving Meal Providing Organizations Poster Creator An entity primarily responsible for making the resource Oklahomans for Equality (OkEq) ALL SOULS UNITARIAN CHURCH Bethany Christian Church Diversity Christian Fellowship International Fellowship Lutheran Church OkEq OKEQ donations OKEQ donors Oklahomans for Equality Oklahomans for Equality (OKEQ) Parish Church of Saint Jerome St. Paul's United Methodist Thanksgiving Thanksgiving meal Unity Church of Christianity